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Unique Accidentals: > 4
Unique Chords: > 10
Unique Notes: 16 - 20
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soprano
Wandrers Nachtlied - Wanderer's Nightsong
Makoto
2:35 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 35 5 6 95%
Bass 21 10 2 4 100%
Soprano Treble 12 0 3 3 51%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 35 5 6 95%
Bass 21 10 2 4 100%
Soprano Treble 12 0 3 3 51%
 
Lamento d'Arianna
María Tardío
1:18 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 24 5 8 100%
Bass 11 3 2 3 100%
Soprano Treble 11 0 3 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 24 5 8 100%
Bass 11 3 2 3 100%
Soprano Treble 11 0 3 7 100%
 
El Penitente (Plegaria)
rufinb
3:47 Est. Play
Time
91 Measures
1,575Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
or
Organ Reduction		 Treble 33 57 10 8 100%
Bass 22 38 9 4 82%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
or
Organ Reduction		 Treble 33 57 10 8 100%
Bass 22 38 9 4 82%
Violin Treble 33 31 10 6 100%
Treble 21 27 6 4 100%
Contrabass Bass 19 0 5 4 100%
Viola 18 25 5 4 100%
Violoncello Bass 21 0 5 9 90%
Voice Treble 16 0 7 7 73%
 
Aria in g minor
BeatsByJay
0:48 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 0 4 5 46%
Bass 11 0 3 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 0 4 5 46%
Bass 11 0 3 3 100%
Bass 16 38 8 3 100%
Violin Treble 18 0 10 4 100%
Soprano Treble 13 0 5 4 67%
 
Lamento d'Arianna
Conservatorio Almendralejo
1:18 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 24 5 8 100%
Bass 11 3 2 3 100%
Soprano Treble 11 0 3 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 24 5 8 100%
Bass 11 3 2 3 100%
Soprano Treble 11 0 3 7 100%
 
HWV56N38 - "How beautiful are the feet" - 1741
edward.maurath
5:30 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 20 0 5 7 98%
Organo Treble 24 85 7 6 96%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 20 0 5 7 98%
Organo Treble 24 85 7 6 96%
Bass 16 27 5 7 96%
Violini Treble 27 25 9 8 91%
Contrabasses Bass 16 0 3 7 82%
Violoncelli Bass 18 0 3 7 82%
Soprano 17 0 6 6 79%
Cemballo Treble 18 26 5 6 46%
Bass 16 14 4 6 46%
 
He shall feed his flock like a shepherd (1741)
edward.maurath
5:39 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 22 73 6 6 100%
Bass 20 21 6 9 96%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 22 73 6 6 100%
Bass 20 21 6 9 96%
Contrabassi Continuo Bass 22 0 7 9 100%
Viole 19 0 6 8 100%
Violini 1 Treble 21 0 5 9 100%
Violini 2 Treble 20 0 7 7 100%
Violoncelli Continuo Bass 24 0 7 9 100%
Soprano 12 0 3 8 49%
Alto 12 0 3 7 35%
 
BWV 21 #08 Komm, mein Jesu, und erquicke
edward.maurath
4:35 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasso Continuo Bass 21 0 6 5 100%
Organo Continuo Treble 20 67 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasso Continuo Bass 21 0 6 5 100%
Organo Continuo Treble 20 67 6 6 100%
Violoncello Continuo Bass 23 0 6 5 100%
Soprano Treble 20 0 8 7 90%
Basso Bass 16 0 4 6 89%
 
HWV56N38Z2 - How beautiful are the feet
edward.maurath
1:17 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hpsi
RH		 Treble 23 68 6 3 100%
HPSI
LH		 Bass 18 24 8 3 98%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hpsi
RH		 Treble 23 68 6 3 100%
HPSI
LH		 Bass 18 24 8 3 98%
Vcl Bass 17 0 4 4 96%
Alt 12 0 2 5 63%
Sop 12 0 2 5 58%
Vln
1		 Treble 11 0 2 4 35%
Vla 8 0 2 3 29%
Violoncellos Bass 11 0 1 3 27%
Vln
2		 Treble 7 0 1 4 27%
VNE Bass 11 0 1 3 27%
 
"So feiern wir das hohe Fest" BWV 4
edward.maurath
2:21 Est. Play
Time
43 Measures
1,448Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 19 29 5 8 100%
Bass 21 7 5 8 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 19 29 5 8 100%
Bass 21 7 5 8 100%
Contrabass (Continuo) Bass 21 0 5 8 100%
Violoncello (Continuo) Bass 21 0 5 8 100%
Flute
as Soprano		 17 0 5 7 84%
Bassoon as
Tenore		 15 0 5 7 79%
 
HWV56N52 - If God be for us, who can be against us?
edward.maurath
4:56 Est. Play
Time
178 Measures
1,919Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 83 7 4 96%
Bass 19 39 7 4 93%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 83 7 4 96%
Bass 19 39 7 4 93%
Organ Treble 21 83 7 4 96%
Bass 19 39 7 4 93%
Violoncello Bass 23 0 8 6 96%
Violin Treble 29 0 11 8 78%
Violone Bass 22 0 7 4 72%
Cello Bass 22 0 7 4 71%
Soprano 17 1 7 10 65%